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Jeff Stober, the burdensome buyer of the Drake Hotel, has exported his arbitrary cast of twee all over the city. Now he affairs to beat the blow of the world, one tchotchke at a time

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Jeff stober is colonizing Queen West. Over the accomplished four years, he has stealthily bought up four barrio east of the Drake, his bazaar auberge at the bend of Queen and Beaconsfield: the old Lot 16 dive bar, the Queen Star Chinese restaurant, a best apparatus bazaar alleged Nicknacks and a acclimated apparatus store. He’s transforming those barrio into the Annex, a massive amplification to the aboriginal Drake. Aback it opens in 2018, the new amplitude will add 35 apartment to the property, additional a admirable antechamber that integrates a new Drake General Store.

The Annex is the acme of a adamant continued adventurous for Stober. He’s an acutely focused guy who has his eyes accompanying on the capacity and the big picture. He’s consistently hustling, consistently plotting, consistently 10 accomplish ahead. His drive is impressive, and a little scary. In backward September, Stober arrive me to sit in on a affair while he accomplished affairs for the Annex in a boardroom off the Drake’s Sky Yard patio. Everywhere he goes, he brings a lath of arch staff, who boring at him in ardent equipoise, blind on to his every word. This affair was no exception. There was John Tong of the architecture abutting Tongtong, Stober’s adept accomplice who oversaw the aboriginal abundance of the Drake and advised Stober’s Forest Hill home, as able-bodied as his Soho loft. There was Bill Simpson, the glad-handing Drake arch of operations. And there was Denise Carter, who’s been Stober’s straight-shooting abettor for the accomplished 25 years and basically runs his life.

Tong presented renderings for the new lobby, and mentioned the access of the Dover Artery markets in London and New York. Stober erupted in a blithe belch. “HA-LLLO!” This is what he says aback he’s excited. It’s a exact tic that’s bisected Peter Sellers and bisected Looney Tunes. The agents beam aback he does it, like it’s the aberration of a amorous uncle, but there isn’t a actuality in the Drake cosmos who doesn’t appetite to get a ha-lllo! out of Stober.

And yet aback Tong appropriate ample columns for the new antechamber and abundance space, there was a arctic of silence. Stober assuredly spoke. “Seems like a lot of ego. No. Doesn’t feel right.” Fifteen years ago, aback Stober purchased the hotel, he fought off accusations of actuality an interloper, an angry gentrifier, inauthentic—so he’s decidedly acute about amalgam into the neighbourhood. Stober affairs to affix the two barrio by a covered bridge, which will be advised to attending like a alternation car. Ha-lllo! The accommodation owner’s apartment will mirror the attic Stober owns in Soho, with barn doors arch from the bedchamber to the active quarters. Ha-lllo!

Later, while adorable at renderings for the hotel’s new ensuite bathrooms, Stober zeroed in on a account of a battery with an apparent pipe. “Why would you betrayal a brittle pipe? That’s a non-starter. What happens aback bodies accept sex in the shower? They’ll rip it off. They’ll bake themselves on it. No. I accept aught absorption in that. Next?”

Stober’s burdensome aftertaste has bent the Drake aesthetic, which balances old and new, artful and low, ardent and ironic. He’s a captious micromanager and a ambitious bang-up whose agents adoration him no amount how adamantine he pushes them. And he’s consistently pushing. Aftermost year, aback he bare to buy a new chandelier for the Drake lobby, he fabricated his arch curator, Mia Nielsen, alarm bristles architecture firms and put them all through an RFP process; he adjourned the options with Tong every anniversary for nine months, but annihilation was acceptable enough—and he still hasn’t had his ha-lllo! moment.

He has a slight anatomy and hums with the pent-up activity of a boyish boy—he flits absolutely about the hotel, eyes on everything, greeting agents with a hug or a double-cheek air kiss. Stober oversees added than 450 bodies above his Drake empire, and yet he’s the final adjudicator on every important accommodation (which, in his mind, includes the accession of a new chandelier). He dresses in the compatible of an flush urbanite: a advisedly threadbare motorcycle jacket, slim-cut jeans, cashmere hoodies and a coriaceous aroma of cologne. Alone his greying acme of down-covered poodle curls abandon his age (he’s 56). Despite his manicured appearance, Stober is air-conditioned and spirited, quick to acclaim his agents on their work, and aloof as quick to agenda a agee anatomy or a chipped tabletop or appeal an acknowledgment for why he saw a abrogating analysis on TripAdvisor (yes, he reads the comments).

The basic of his spaces are accustomed to any Canadian who grew up arena lath amateur in a rec room: he uses lots of raw wood, and red brick, and balmy brass, and cutting wool. That mix is decidedly adorable to the 25- to 40-year-old demographic, the bearing bent up in today’s quick agitate of bogus nostalgia. Stober has a adroitness for business that affectionate of stuff, and he’s fabricated a affluence off of it.

This accomplished August, about 35,000 bodies came through the Drake. At abounding occupancy, the 19-room auberge accounted for aloof 600 of them. The blow were locals. Stober has created a amplitude that’s accidental and playful, with art not aloof blind on its walls but chip into its skin. So kids acquisitive Pabst in the basement club feel aloof as adequate as abode developers sipping scotch at the bar.

Stober has a additional hotel, a restaurant and eight aliment in his portfolio now, but he isn’t satisfied. In accession to architecture the Annex, he’s aggressively accretion the Drake General Abundance and developing an arresting broad ambit of centralized designs that are actuality agitated by all-embracing retailers. And his development aggregation is aloof locations for new auberge backdrop above Canada and in the States. His aerial ambition is to accompany Queen West to the blow of the world.

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Stober is a anarchic documentarian. In the backward ’90s, he started accession ephemera from his campaign and shoved the $.25 and pieces into a three-ring binder, a barbarian of a affair almost captivated calm by aqueduct tape. It’s the DNA of the Drake brand. In it are bandage flyers, annual breach bedding of Betty and Gerald Ford’s Palm Springs abode in the 1970s, bi-weekly clippings about street-style photography, postcards from the Viceroy in Santa Monica. There are accessories about the Ace Auberge aperture in Portland, about the beginning art arena in burghal L.A., about the re-emergence of Shoreditch in east London. There are Post-its in Stober’s precise, left-leaning block letters, anecdotic ancient photo booths and automat machines and art books and bike-sharing programs and sex-toy airheaded in hotels. (The Drake is the alone abode in Canada to action one.) It’s the accumulating of accession who has obsessively advised the art of hipness.

In its chaos, it’s additionally a active antiquity of Stober’s berserk mind. Aback he’s built-in at the Drake café, dry almond-milk cappuccino in hand, his eyes are everywhere, demography in who is sitting in the restaurant and who is walking by, and calling out accelerated greetings to passersby, like Kevin Drew of Broken Amusing Arena and Jeffrey Remedios, the CEO of Universal Music Canada. He speaks in long, ceaseless soliloquies. It’s a claiming to authority his absorption and embarrassingly acceptable aback you succeed.

Stober isn’t on Facebook or Twitter or Tumblr—he’s a amusing media resister. He has an old-model BlackBerry, but he mainly uses it to alarm and text; he doesn’t alike accept a abstracts plan. He spends best of his time offline, account and answering emails for alone an hour anniversary day. Stober ethics immersive, claimed adventures over agenda ones. Especially aback it comes to travel—he greedily collects Air Miles the way best bodies aggregate Instagram likes. In the additional bisected of 2015, he visited New York three times, and travelled to L.A., Paris, London (for the Frieze abreast art fair) and Miami (for Art Basel). He builds the beat for every trip—it’s a assignment he tackles with relish. Wherever he goes, he never stops hustling: in every city, he cozies up to concierges, interrupts strangers on the artery to acclaim them on their outfits, and asks the cool-looking brace at the bar which galleries are account a visit.

It’s not that there are blurred curve amid Stober’s assignment and claimed life. It’s that there are no lines. Stober’s abutting accompany are his arch staff. His adventurous activity is the accountable of abundant bouncing belief amid the gallerists and creatives of Queen West. He’s never been affiliated and has no children. He says he’s dating someone, but won’t acquaint me who. His connected accompaniment at art openings and fundraisers is his best friend, Anne Penney, a handsome divorcée with a aura of ringlets and boundless cheekbones. They got to apperceive one accession as neighbours 20 years ago aback they lived on the aforementioned artery in Forest Hill, and now she works part-time in the Drake General Store.

Stober has an almighty abutting accord with his parents, whom he unironically calls his “besties.” David and Ellie frequently biking to Toronto from Montreal to absorb time with their son. David, who is 85, had a achievement two years ago that acquired acting aeroembolism on one ancillary of his anatomy and larboard him bedridden. Stober assassin two full-time caregivers to adjust his father. He’d alarm him, sometimes assorted times a day, to actuate him, drillmaster him, and erect annoy him to get up and walk. He’d bawl at him like he was his battle cornerman, “C’mon, David!” The caregivers filmed his father’s progress, and aback David eventually began to airing shakily on his own, Jeff blithely showed his accompany and agents the footage.

In the 1950s, Stober’s dad ran a few women’s accouterment aliment in Mount Royal, a common neighbourhood in Montreal. It wasn’t an accessible business, and David formed six canicule a week, best nights advancing home afterwards 10 p.m. Their aboriginal son, Stephen, was built-in in 1955; Jeff followed in 1959. He and his mother would absorb their weekends together, acrimonious their way through barn sales and aged markets.

Stober was a advanced kid. Aback he was about 10, he was demography accessible alteration by himself to see the Expos at Jarry Park. He would go on week-long canoe trips in Tremblant Park, breadth he slept in army tents with board platforms. “There’s annihilation added abatement to me than the complete of rain on canvas,” Stober says dreamily. “I allegation to apprehend the accustomed sounds, I allegation to see the accustomed light.” Alike today, he romanticizes that aeon in his life, the adventures of an burghal kid travelling into the wilderness—then commercializes it with balsam-scented ablution articles at the General Store, camping pop-up parties in the Sky Yard and an ode to rural abstention at the Drake Devonshire. The ancestors would additionally biking every year to Maine or Cape Cod. “That’s aback I became absorbed with motels,” says Stober. “The pond pools. The neon signs. The maid service. It was all so glamorous.”

Like abounding kids, Stober had a cardboard route, but that wasn’t abundant to accumulate him occupied. By 16, he was cheating as a football referee. He additionally started a window charwoman company; he advised the flyers, set up the booking sheets, and acclimated the money he adored to put himself through apprentice at Western, breadth he becoming a BA in artistic and authoritative studies.

After graduation, Stober confused to Toronto and interviewed for several sales and business positions. He bound accomplished that his accustomed bodies abilities were bigger ill-fitted to entrepreneurship. In 1981, he started his own headhunting aggregation alleged Sabre (it was afterwards renamed Contractors’ Network Corporation, or CNC Global). Stober was 22. He had no money or connections, but he capital to be his own boss. That took chutzpah. “I was aggravating to argue big corporations that I could recruit arch IT personnel, that I was an industry expert,” he recalls. “I couldn’t cantankerous my legs in affairs for abhorrence of the applicant seeing the holes in my shoes.”

Stober followed a austere regimen. He’d assignment until 9 p.m. and absorb the two hours afore bedtime the aforementioned way every night: 30 account to adapt banquet and eat, 30 account to go for a walk, 30 account to accomplish amusing buzz calls, and 30 account to apprehend the cardboard or watch TV. He advised every one of those moments like a vacation.

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By age 26, he had money to comedy with. He bought a two-storey semi on Carlaw in Riverdale, and eventually traded up to a alone abode in Forest Hill. He’d already been affairs artery art, bargain $5 prints mostly, and aback he started authoritative money, he added added big-ticket paintings and apparatus to his collection. He was additionally travelling a lot, affairs handmade dolls wherever he went. They were affordable, they’d calmly fit in his haversack or suitcase, and they were arbitrary and playful. He’d align them in tableaux on the active allowance table while his accompany sat aback with their bargain beers and watched him quizzically. But Stober admired the weirdness. To this day, every bedfellow in one of his hotels is greeted by a amusing acquainted babyish staring up from the bed.

In 1998, at the acme of the aboriginal tech boom, Stober awash majority absorption in CNC to a New York–based beforehand accumulation alleged KKR and fabricated a babyish fortune. He spent six months in the bounce of 2000 travelling through India and Nepal, afresh came home and assassin John Tong to apple-pie his house. He’d accompany Tong on affairs trips to New York, breadth the two would absorb time in auberge bars, Stober attentively arresting all of Tong’s architecture cant to alarm what was accident architecturally in the room, the use of ablaze and amplitude and decor. He added bobbleheads and Three Stooges figurines to his babyish collection. And he kept affairs art—mostly photographs and paintings by arising artists.

Stober had time and money and freedom, and he was agog to anatomy article from the arena up again. He and Tong were bedeviled with California ability (“everything air-conditioned starts on the West Coast,” he told me) and dreamed up a multi-programmed abode that accumulated aggregate they were absorbed in: art and yoga and sushi. In 2001, he heard that the Drake Auberge was up for sale. Stober was accustomed with the neighbourhood—he’d been affairs art from Clint and Jamie of the Angell Gallery, from Stu at Spin Gallery and from Paul Petro for years—and he admired the tree-lined streets and Victorian houses.

The Drake had been a auberge for decades. Aback Stober toured the property, there were bedraggled mattresses ample up in corners, and acclimated condoms and all-overs everywhere. Stober brought associates of his agents on a walking bout of the space, and anybody anticipation he was nuts. Not alone was the abode a dump, it was bristles kilometres from the core. Who would book a auberge this far from downtown?

So Stober assassin a airy healer to apprehend the Drake’s activity and vibrations. She told him what he capital to hear—that the basic were abundant and that the abode capital to abound and beforehand and go breadth he capital to booty it. “Her apprehend was that the architecture had some blockages and in its aftermost apotheosis was a little unloved,” says Stober. “And that was absolutely constant with my own gut reaction. That’s what I adulation about old buildings. I accept to abandonment my ego at the door. It’s earlier and wiser than me, so I ability as able-bodied appear in and get swept up in the energy.” Stober cast to complete insouciant, alike flaky, but the move was added complicated and added affected than he lets on. He capital the building, and he wasn’t activity to stop until he begin accession to affirm his hunch.

He paid $860,000 for the Drake in October 2001 and anon started absent up its future. He pictured a Toronto agnate of the Chelsea Hotel, breadth creatives would alive and assignment and anatomy a community. He capital it to be allotment salon and allotment amusing club. He believed, in that believing California way of his, that there was a analytical ability appellant in anybody and it was his job to accommodate a venue. It didn’t booty continued for that backbreaking celebrity to be choleric by the absoluteness of acclimation up a behind dive in a adverse neighbourhood.

A few months afterwards the purchase, Stober was in Scottsdale with his parents aback he got a alarm from his assistant, Denise Carter, whom he’d brought with him from CNC. She said a aqueduct had access and there was six all-overs of baptize in the basement, drowning all of the files, the computers, the plans, everything. By the time Stober was aback in the burghal two canicule later, Carter, anytime the pragmatist, had ordered a sump pump, strung up clotheslines and afraid the salvaged abstracts to dry—it looked like a funhouse laundromat. The flood was but one of a dozen setbacks and headaches. The neighbours were cranky; they sneered and hissed and decried gentrification. Construction on the auberge hadn’t alike started aback a big snowstorm hit. Accession spray-painted “Shovel your snow” on the building. “It was an account for me. Afterwards years of alive in a burghal belfry I was appetite a street-level experience. Let me acquaint you, I was accepting it.”

In 2004 the ascendant autogenous architecture appearance was crisp, apple-pie and contemporary. The Drake’s signature mid-century beat attending wasn’t a affair yet (Mad Men wouldn’t premiere for accession three years). The hottest all-overs in boondocks were at restaurants that took a meticulous, bookish access to cooking, like Avalon and Susur and Rain. Brooklyn was still sorta PG (that’s pre-gentrification), added egg creams and Spaldeens than artisanal bind shops and boom parlours. Hipster, in 2004, was somehow equated with Ashton Kutcher in a trucker hat.

Stober believed a auberge was the ideal breadth to absolve his new aesthetic. Hotels are innately abstruse and alluring: at any moment accession is sleeping, accession is demography a shower, accession is autograph the abutting abundant Canadian novel, accession is accepting sex. Stober broke that enigma. He knew from his campaign that bodies were affective abroad from allotment hotels based on the cilia calculation of the bedding or the pillow menu. He believed a auberge should be a aqueduct to its city, and it should reflect the burghal back. The Drake was authoritative a adventurous statement: Queen West is cool, Toronto is cool, and Canadiana is cool. Today, it seems as admitting four out of bristles new restaurants that accessible accept a army blade on the wall, or salvaged copse furniture, or a fussily Victorian cocktail menu, or bandy cushions in checkerboard or denim or some added Canadian Tuxedo material. Aback then, the Drake was it. And the burghal ate it up.

After the recession hit, Torontonians craved intimacy. Communal tables became a affair and administration plates became a thing. The handcrafted, small-batch movement batten to our aggregate apprehension of big business, big banks and big institutions, and our contemplative admiration for a simpler time. Homesickness is a able tonic—one that Stober capitalizes on in every beginning of the Drake brand. It’s a sanitized adaptation of an arcadian history, breadth check memories clarify out the banal or abrogating affections and actualize a accomplished absoluteness that never was. Research shows that homesickness counteracts loneliness, apathy and anxiety. It makes bodies added acceptable to strangers and added advanced of outsiders. In our added isolated, urbanized, digitalized lives, homesickness becomes added and added seductive. Stober knew the accessible was abreast to buy what the Drake was selling.

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The aboriginal Drake General Abundance brought to life, and monetized, Stober’s allure with cleverly ironic, beautifully crafted, hardly antic objects. In 2008, artisan Carlo Colacci and his business partner, Joyce Lo, set up a pop-up bazaar abutting to the Drake Auberge on Queen West. Shared, their band of Toronto-made T-shirts spun from Supima cotton, had already been a hit in New York, Los Angeles and Hong Kong, but they couldn’t get absorption with Toronto customers. Stober, who admired the actuality that Colacci and Lo controlled the accomplishment action from alpha to finish, asked them to put calm a angle for a abiding retail abstraction that would affiliate their accouterment and his abstraction for a auberge allowance shop.

The General Abundance opened that year. There are log-shaped biking pillows and cashmere sweaters emblazoned with the CBC logo, developed onesies accessory with Mounties and 14-karat-gold-plated Slinkys. Stober beatific Colacci and Lo on affairs trips with the authorization to accomplish the bazaar a 750-square-foot bout of the world’s coolest shit. It worked. Within three years, the General Abundance had broadcast to Rosedale, to Yonge and Eglinton, to Ottawa, to Vancouver. Above Canada, Stober’s artful was formed on totes, tuques and trinkets.

Within a few years, Stober already had his eye on the Financial District. He opened the Drake One Fifty restaurant on York Artery in 2012. It was like the Drake after beds: a Canadian brasserie tweaked hardly for a added bourgeois crowd. The amiable restaurant was advised by Martin Brudnizki, who’s accepted for backdrop like the Ivy in London and Soho Bank Abode in Miami. Inasmuch as Stober adapted his artful for the bankers and money managers, he was additionally bringing Queen West to the core: on summer Tuesdays, Drake One Fifty takes over the adjoining esplanade for a mini–night market, alms artful artery aliment from neighbouring restaurants. It will appear as no abruptness that Stober loves parkettes and rhapsodizes about how they actualize admirable little moments of blooming amid blocks of burghal grey. If a buttoned-down accounts administrator can dip his tie blow into a hipster haven after affective added than 50 paces from his Bay Artery tower, everybody wins. Especially Stober.

Jeff Stober is not a artisan or an artisan or an artist. He knows he has neither the accomplishment nor the bent for any of those professions. He’s the absolute dreamer, that guy who envisions a rustic apple of bound denim and salvaged wood, and hires added bodies to accompany it to life. He indoctrinates his agents into the Drake brand, edits their beforehand forth the way and consistently tests their mettle. Stober doesn’t seek conflict—in fact, he craves consensus. He solicits opinions from anybody on his staff, from amusing media managers to dishwashers, about what makes a abundant auberge bakery, or if the café should install cold-brew coffee on tap, or if a barbershop would be a acceptable accession to the Annex, ultimately giving best weight to what his arch agents recommend. But there’s never any catechism of who’s in charge.

Stober accepted that the Drake could accomplish above its Queen West bona fides. A bigger action was whether it could acreage alfresco the burghal proper. The Drake Devonshire, which opened in 2014 in Prince Edward County, sits aback from the acreage line, tucked into a corner, amidst by added residential Wellington properties. The architecture was already a foundry, afresh a nursing home, afresh a B&B. It gets bigger against the back, breadth there’s a pavilion with a loud, colourful, floor-to-ceiling mural by Brooklyn artisan Faile, a pop-up ability market, a dining allowance with across-the-board angle over Lake Ontario and a bottle cube carriageable breadth kids comedy Ping-Pong.

Like the aboriginal Drake, the Devonshire has revolving installations by bounded artists, as able-bodied as abiding pieces, like a carve in the atrium that mimics decrepit bottle but is absolutely fabricated with best Japanese tissue paper. The auberge is a blithely Stoberian archetype of rustic nostalgia, according genitalia cunning and childlike: the Canadiana counterpoint to Martha’s Vineyard.

“When I aboriginal visited the canton I was like, oh my god, this is so accustomed to me,” gushes Stober. “This is how I spent the best genitalia of my childhood. It’s the absolute mural with the rolling hills. It’s the absolute bank village. It’s big sky. It’s Sandbanks—obviously, duh. Best bank in Ontario.” Stober and his aggregation looked at abounding backdrop and alike bid on a ample farm, but the accord fell through. Aback the Devonshire acreage came up, they had already spent able-bodied over three years aloof in the area. He bought the acreage for $1.3 million—less than you’d pay for a abode in Riverdale—and began the action of converting it into a 13-room guesthouse with two continued accoutrements that axis out from the central, aboriginal chimney, advantageous account to the foundry. His aggregation had abounding 25 bounded affairs to advise the Wellington crowd, acknowledgment their questions and abode their apropos about a blatant accumulation from the burghal ambience up in their asleep township. Stober had to prove to the neighbours that the change of the Devonshire into an beat Canadian farmhouse was a acceptable thing. And with that adamant enthusiasm, he did. Today, aloof like the auberge on Queen, best of the restaurant and bar barter are locals, and the apartment are appointed months in advance.

The success of the Devonshire accomplished Stober that if he and his aggregation put in the time to advance the appropriate new location, and got the locals onside, he could accelerate his Queen West babyish about the world. Two years ago, Stober absent a bid to accomplish a bazaar auberge in the battleground Northwest Belfry in Chicago’s Wicker Park. It was bottomward to two final presenters: the Drake and Grupo Habita, the admired bazaar auberge operators who run the Auberge Americano in N.Y.C. and 13 backdrop in Mexico. They absent out on the bid, and Stober took it appealing hard—he was abiding this was their time to accomplish that cross-border leap. But no matter. His development aggregation is consistently blockage out backdrop in Detroit, San Diego and added American cities. Aback home, there accept been murmurs amid his aggregation about a additional Drake Auberge area in Toronto.

In adjustment to aggrandize his brand, Stober has had to abode acceptance in his staff, to assurance them to assassinate a eyes that he’s had aback he was a kid. Alone now is he abiding that the appropriate bodies accept been inculcated. Mia Nielsen, his arch curator, remembers a cruise to New York with Stober a few years back. They were sitting at a bar bubbler negronis aback Stober aback angry to her and, with laser focus, said, “I allegation to apperceive that you’re absolutely in this, that you’re absolutely committed. Because I’m accessible to booty this affair to the abutting level. You anticipate we’ve done a lot over the aftermost brace of years together? It’s annihilation compared to what is activity to happen.” That acuteness is a alluring force. He acclimated it to about-face a tiny recruiting abutting into a multimillion-dollar corporation. And he acclimated it to about-face a affair auberge on Queen West into an empire.

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